The curated portfolio of film journalist Joe Lipsett
Courtesy of AMC
The Walking Dead goes down the dramatic path this week as various characters wrestle with the past demons. Does focusing the action away from the prison prove successful?
Let’s bitch it out.
Courtesy of CBS
This week we focus on Simon (Robin Williams) and Sidney (Sarah Michelle Gellar) as they both deal with insecurity issues and amazingly they both come out of it losers. But hey, they’ve got each other.
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Courtesy of NBC
Well that was disappointing. After getting a slow start to the season with a premiere that seemingly contained 10 minutes of plot stretched to 42 minutes, Grimm once again drags its narrative feet. This does not bode well for the season to come.
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Courtesy of ABC
You know what’s super awkward? Finding out our ex-boyfriend may have KILLED YOUR MOM! Crazy day over in the Scandal universe.
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Courtesy of The CW
Hell hath no fury like a woman scorned. Between lovers two thousand years ago, to delinquent werewolf boyfriends, to mothers and daughters, the women of The Vampire Diaries are struggling with their hurt in ‘Monster’s Ball’.
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Courtesy of FX
We’ve reached part one of American Horror Story: Coven‘s two part Halloween double shot. Considering the madcap shenanigans on this show, however, it’s unclear how we’re meant to distinguish this pumpkin outing from any other episode.
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Courtesy of The CW
Everything about ‘Crucible’ screams: we need to talk about Sara (Caity Lotz)! In a surprisingly forthcoming fashion, the identity of the mysterious female vigilante is revealed to be the youngest Lance daughter. Cue no one’s surprise.
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Courtesy of The CW
The underlying theme of The Originals is brought to the forefront once more as all paths lead back to family in tonight’s episode: those who have a family, those who want a family, and the lengths to which some will go when they’re pushed to protect family.
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Courtesy of MTV
After setting up all of the dominoes last week (and subsequently knocking them all down in one move at a surprise 17th birthday party), Awkward. dances around the fall-out for an inspired, if not particularly funny, rift on the telephone game.
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Courtesy of CBS
I usually write about The Good Wife once a year: when it comes time to compile my Best Of Television list for the annual Bitch Awards (2012 & 2011). Each year the CBS’ drama makes it into my top five, but that’s traditionally as much love as I give the best show on network TV. That discrepancy had to change with ‘Hitting The Fan’ – an episode that single-handlely catapults The Good Wife into the upper echelons of TV drama with what may be one of the best hours of TV I’ve ever seen.
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