
Courtesy of FX
It’s the end of the road for the first season of The Bridge. After a bit of a mixed bag run, does the FX drama end on a high note?
Let’s bitch it out… [Read more…]
The curated portfolio of film journalist Joe Lipsett
by Joe Lipsett

Courtesy of FX
It’s the end of the road for the first season of The Bridge. After a bit of a mixed bag run, does the FX drama end on a high note?
Let’s bitch it out… [Read more…]
by Joe Lipsett

Courtesy of ABC
If last week‘s pilot was a little underwhelming in its general perfunctoriness, what does the second episode of ABC’s Marvel’s Agents of S.H.I.E.L.D. look like? Apparently it’s “Disney with an edge”
Let’s bitch it out… [Read more…]
by Joe Lipsett

Courtesy of Showtime
We watch a lot of TV – some of it good and some of it…not so good. For the 2013 pilot season, we’re checking out a few series we won’t be writing on regularly, but may check back on throughout the season. Next on the docket: the third season premiere of Showtime’s Homeland.
Let’s bitch it out…
It was a real struggle to decide which Sunday night show to cover and I’ll admit that I may come to regret my decision to prioritize the campy/sudsy night-time soap Revenge over Homeland. I’d be lying, however, if I said that my decision wasn’t partially informed by how badly I felt burned by the second season. Is it petty to “punish” the show (and potential readers) because I was less than happy with the narrative decisions of S2? Perhaps…
Either way, S3 is here and we’re back to the Homeland of old. The emotional intensity is front and centre as the CIA recovers from the worst terrorism attack since 9/11 – the explosion that claimed 219 lives and sent Brody into hiding. The fall-out is steep: Carrie (Claire Danes) is the CIA’s scapegoat and she’s doing herself no favours by loudly proclaiming Brody innocent in front of Congressional committees by day and self-medicating with Tequila and strange men by night. Her mentor, Saul (Mandy Patinkin) is in a compromised position as the Acting Director of the CIA: on one hand he has to manage damage control, which means listening to the evil angel on his shoulder, Dar Adal (F. Abraham Murray, bumped up to series regular) while on the other hand he wants to support his fallen protegé.
There’s a recurring theme of indecision and impotence throughout this opening hour. Everyone tries to settle back into their lives, uncertain or unable to move forward because of what happened last season. This extends (in what is sure to be the most frustrating subplot for viewers) to Morgan Saylor’s Dana, who we are reintroduced to in the hospital following a suicide attempt. Although thematically it makes sense to touch base with the Brody family to see how they’re coping as Brody remains public enemy #1, it can’t help but feel frustrating when we cut away from the simultaneous six target strikes or Carrie crashing a CIA lunch to hear Jess (Morena Baccarin) moan about her lack of work experience at a Brody family dinner. Whether these characters ever feel truly relevant again is but one of the issues this third season will need to address as it, like its characters, makes steps towards recovering the public’s trust.
As first hours go, this is a good start. It will be interesting to see how Carrie reacts to Saul’s betrayal, whether the agency gains any traction with the latest “victory” (thanks in part to Rupert Friend’s Quinn’s efforts) and who the damn mole is (three seasons and counting!). We’ll have to see how things play out.
Other Observations:
What did you think of Homeland‘s return: did it win you back? Are you interested to see what happens between Saul and Carrie? Did you miss Brody? Do you care about the Brody family, or more specifically Dana (aka the Kim Bauer of Homeland)? Sound off below
Homeland airs Sundays at 9pm EST on Showtime. As with our other Quick Takes, we’ll touch base on occasion throughout the season should particular episodes merit attention
by Joe Lipsett

Courtesy of ABC
After a rocky (ie: hot mess) S2 and a change of showrunners, ABC’s sudsy Sunday drama Revenge is back for a brand new season. So how does the show handle all of these changes?
Let’s bitch it out… [Read more…]
by Joe Lipsett

Courtesy of CBS
We watch a lot of TV – some of it good and some of it…not so good. For the 2013 pilot season, we’re checking out a few series we won’t be writing on regularly, but may check back on throughout the season. Next on the docket: the second season premiere of CBS’ Elementary.
Let’s bitch it out…
I’ve always had a bit of a love/hate relationship with Elementary. Comparisons to the far superior BBC version were inevitable when the CBS semi-procedural clone debuted last year, and it’s hard not to admit that the American version didn’t pale in comparison, despite engaging performances by leads Johnny Lee Miller and Lucy Liu. If we’re being honest, the biggest issues had nothing to do with either protagonist. It was the show beyond these two Holmes mainstays that suffered: the police bordered on inept, the secondary cast were little more than cardboard cut-outs and many of the cases were far too obvious.
The season picked up dramatically in its final episodes, however, as the show again complicated the Holmes mythology by making Moriarty and Irene Sadler the same person (see TVAngie’s take here and here). With that move, and a great turn by guest star Natalie Dormer, things looked rosy as the series headed into the summer hiatus. So I was interested to see if Elementary would fall back on its early structure/pitfalls.
Unfortunately it appears that the answer is yes.
Both “new” characters that are introduced in this London-set adventure – Detective Lestrade (Sean Pertwee) and Sherlock’s brother, Mycroft (Rhys Ifans) – are given far too little screen time in favour of an open and shut generic case that fails to engage (3D printing guns! How very last year!). Considering how much could have been done to flesh out Sherlock’s past, and reiterate how significant with Watson is, this should have played out as a much more significant chapter for the series. Instead it feels flat, as though this was just another week of the show. I mean, you’re going to take the time to shoot in London and instead of using it, you focus on a stupid spousal murder?! It boggles my mind.
If something does succeed, it’s that change of scenery. There’s an authenticity to actually shooting in the UK at a variety of famous and not-so-famous locations that gives even some of the more exposition heavy (read: boring) scenes a little extra kick (I was partial to the demolished opera house Lestrade is hiding out in). Now if only the narrative that was crafted around these landmarks were are interesting to watch. Instead it just seems as though Elementary thought a destination episode would merit attention simply because the action has been moved out of NY. Alas this not the case.
At the end of the day Elementary is a very confident show – it knows what it is and who its audience is. I’ve never been able to forgive it for resting on its laurels, but I accept that those who like it, like it quite a bit. That doesn’t make TVAngie or I want to cover it on a weekly basis, however, so for now it’s on to greener pastures and should Lestrade, Mycroft or Moriarty/Irene turn back up, we’ll be sure to check back in.
Best Lines:
What are your thoughts on this second season return? Did you enjoy the London setting?Were you hoping for more from Mycroft and/or Lestrade? Are you impressed with how far Joan’s deductive reasoning has come? And how long before any of these recurring Holmes characters return? Sound off below
Elementary airs Thursdays at 10pm EST on CBS
by Joe Lipsett

Courtesy of NBC
We watch a lot of TV – some of it good and some of it…not so good. For the 2013 pilot season, we’re checking out a few series we won’t be writing on regularly, but may check back on throughout the season. Next on the docket: the second season premiere of NBC’s Revolution.
Let’s bitch it out…
I will readily admit that Revolution was my biggest disappointment of the 2012-2013 television season (the summer honour goes to CBS’s similarly inept Under The Dome). Revolution was a show that had everything going for it: an awesome premise about the loss of powerful, a handful of great-to-solid actors, a nice dose of genre hybridity and a creator, Eric Kripke, noted for crafting shows that fans love.
And then the sucker debuted and almost immediately went into the crapper.
The problems with season one are legendary at this point, so I was intrigued to check out the second season to determine whether the issues had been fixed or if the show was the same old piece of garbage I hate-watched last season. So how does Revolution 2.0 fare?
Honestly, it’s not bad. The pace is slower and despite being divided between three different locations, the time allotted to the groups of characters is well managed. Perhaps it’s spreading these individuals out, but not having them on journeys that makes this re-introduction work. The focus is more on reestablishing who these people are and why they matter than moving them around the country like game pieces. Giancarlo Esposito’s Neville and JD Pardo’s Jason get the plot heavy portion as the Patriot tallship lands in the refugee camp they’re staying at outside bomb-decimated Atlanta. Miles (Billy Burke), Rachel (Elizabeth Mitchell) and Aaron (Zak Orth) have sought refuge with Rachel’s father, Gene (Stephen Collins) in the Republic of Texas where marauding War Clans are raping and pillaging. Oh, and Rachel has PTSD following last season’s nuclear fall-out.
And then there’s Tracy Spiridakos’ Charlie (a show-ruiner) and David Lyons’ Monroe (still miscast) who are hanging out in the laughably named New Vegas, a Western dystopian version of the city of sin (on a budget). Perhaps the idea was to dump these two in the middle of the Plains Nation in the hopes that they kill each other off? As it stands their stories amount to little more than bareknuckle boxing (is this a bad TV trope???) and a weakly plotted assassination attempt…so…yeah.
As far as rescuing the show from the disaster that was S1, ‘Born In The U.S.A.’ is a step in the right direction. Spending more time fleshing these characters out, introducing a mildly interesting new mystery (what’s with the fireflies?) and an ominous new set of villains (the Patriots) could inject new life into the show. That’s provided it keeps its wits about it, since many of us thought the writers would turn things around several times last season, only to watch in horror as things somehow got worse. Plus, with the continued reluctance to actually kill off characters (is Aaron really not expendable?), there remains a troubling lack of consequence that threatens any emotional investment viewers may have in the proceedings…
Needless to say I won’t be watching with any regularity, but Revolution is the kind of show you can pop in on fairly regularly in the event something merits attention. I’m interested to hear from other viewers, though: will you continue to watch? Has enough character rehab been done to rehabilitate these people? Do you wish people would actually die and not be magically resurrected? And do you care about either the fireflies or the Patriots? Hit the comments with your thoughts below
Revolution airs Wednesdays at 8pm EST on NBC