
The 2003 remake of Mary Rodger’s 1972 YA novel Freaky Friday was an unparalleled success. How does its new 2025 sequel fare?
[Read more…]The curated portfolio of film journalist Joe Lipsett
The 2003 remake of Mary Rodger’s 1972 YA novel Freaky Friday was an unparalleled success. How does its new 2025 sequel fare?
[Read more…]by Joe Lipsett
After delivering one of the single best love films of the last decade (Past Lives), expectations are high for Celine Song‘s sophomore directorial effort.
[Read more…]by Joe Lipsett
After a few years of (slightly) diminishing returns – in terms of both box office and audience satisfaction – Marvel’s latest entry, Thunderbolts* looks to turn the tide.
[Read more…]by Joe Lipsett
Jack Quaid has made a name for himself playing mild-mannered, slightly geeky characters in a number of texts (The Boys, 2022’s Scream and even this year’s Companion), so it should come as no surprise that he handily anchors action movie Novocaine playing…a mild-mannered, slightly geeky assistant bank manager.
[Read more…]by Joe Lipsett
A super moon turns people into wolves for one night only in director Steven C. Miller‘s horror action film.
Yes, folks “it’s werewolves meets The Purge.”
[Read more…]by Joe Lipsett
At what point does a bad film become good? It is possible to acknowledge that a narrative barely makes any sense, yet still find it enjoyable? If Tom Hardy dresses in a tuxedo, does that automatically put him in contention to be James Bond?
These are the questions that one thinks while watching Venom: The Last Dance (aka Venom 3)
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