The curated portfolio of film journalist Joe Lipsett
In He Said/She Said, critics Joe and Valeska dissect a film in a back and forth email exchange. Previously, we decided to list and not love the Netflix original The Open House (2017). This time, we’re debating whether or not Hellraiser: Judgment (2018) has any sights worth showing you.
Let’s bitch it out…
In He Said/She Said, critics Joe and Valeska dissect a film in a back and forth email exchange. Previously, we winced and shuddered our way through visceral maternal horror film L’interieur (2007). This time, we’re choosing whether to love or list Netflix original The Open House (2017).
Let’s bitch it out… [Read more…]
La Femme has no boundary issues in Inside
In He Said/She Said, critics Joe and Valeska dissect a film in a back and forth email exchange. Last time we hung out with bearded weirdo Mark Duplass in Creep. This time, we’re safely locked up awaiting a special delivery and avoiding sharp objects with Alexandre Bustillo and Julien Maury’s 2007 French Extremity, Inside / A L’interieur.
Let’s bitch it out… [Read more…]
In He Said/She Said, critics Joe and Valeska dissect a film in a back and forth email exchange. In previous iterations we lauded found footage indie Frazier Park Recut and fired Netflix’s The Babysitter. This time, we’re videotaping Mark Duplass for 8 hours. Spoilers ahead!
In He Said/She Said, critics Joe and Valeska dissect a film in a back and forth email exchange. Last time we fired Netflix’s The Babysitter. This time, we’re headed out to the woods with Frazier Park Recut. Spoilers ahead! [Read more…]
In He Said/She Said, critics Joe and Valeska dissect a film in a back and forth email exchange. First up: Netflix’s original horror film, The Babysitter (2017).
Spoilers ahead! [Read more…]