The curated portfolio of film journalist Joe Lipsett
In He Said/She Said, critics Joe and Valeska dissect a film in a back and forth email exchange. Previously, we tackled Helen Hunt’s twisty/turny festival entry, I See You. This time, we’re downloading apps irresponsibly without reading the Terms of Condition with 2019’s Countdown.
Spoilers follow…
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In He Said/She Said, critics Joe and Valeska dissect a film in a back and forth email exchange. Previously, we tried on the Soska Sisters’ fashion-forward 2019 remake of Cronenberg’s classic Rabid and found that the fit wasn’t quite right. This time, we’re uncovering some small town secrets with Adam Randall’s I See You (2019) — starring Helen Hunt!
Spoilers follow… [Read more…]
In He Said/She Said, critics Joe and Valeska dissect a film in a back and forth email exchange. Previously, we tackled Susanne Bier’s Netflix “horror for the masses” film, Bird Box (2018). This time, we’re staying Canadian with the Soska Sisters’ reimagining of David Cronenberg‘s 1977 film, Rabid (2019).
Spoilers ahead…
In He Said/She Said, critics Joe and Valeska dissect a film in a back and forth email exchange. Previously, we adopted a crazy ersatz child in Jaume Collet-Serra’s 2009 Orphan. This time, we’re just trying to survive a less hilarious modern take on The Happening with Susanne Bier’s Bird Box (2018) [Read more…]
In He Said/She Said, critics Joe and Valeska dissect a film in a back and forth email exchange. Previously, we spent some time gazing at the moon with Verónica (2017) and her siblings. This time, we’re going the adoption route with Jaume Collet-Serra’s 2009 Orphan.
Let’s bitch it out… [Read more…]
In He Said/She Said, critics Joe and Valeska dissect a film in a back and forth email exchange. Previously, we realized too late that Hellraiser: Judgment (2018) had no sights worth seeing. This time, we’re taking a spin around the Ouija board with Paco Plaza’s Verónica (2017).
Let’s bitch it out… [Read more…]