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Authors:

• Bitch Stole My Remote (225)
• Brenna Clarke Gray (7)
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• elrond99 (21)
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Recent Posts:

• [Review] Stop Me If You’re Heard This Before: Patrick Lussier’s ‘Trick’ Is No Treat
• [AHS Recap w/t Gayly Dreadful] ‘True Killers’ Opts For Killers All The Way Down
• [AHS 1984 recap w/t Gayly Dreadful] “Mr. Jingles” Suffers From Ryan Murphy Syndrome
• TIFF – Non-Genre Coverage
• Other Horror Writing
• [Review] ‘The Fanatic’ Is Empty And Offensive
• [Pose Recap w/t Gayly Dreadful] Bikinis, Boys and Reads in “Life’s A Beach”
• [Pose Recap W/T Gayly Dreadful] ‘Blow’ Offers Up Condoms, Coke and Cots
• [Pose Recap W/t Gayly Dreadful] Ninja 3: The Domination Is The Best Part Of “What Would Candy Do?”
• [Fantasia Review] Paradise Hills Offers Beauty, But Misunderstands Its Own Appeal
• [Review] ‘Scream: Resurrection’ Kills With Boredom
• [Review] Canadian Zombie Film ‘Deadsight’ Offers Stripped Down Tension
• Queer Horror Director Showcase: Michael Varrati on Empowering Queer Youth, the Influence of Up All Night and Working on Literally Everything
• Queer Horror Director Showcase: Paul Etheredge on Growing Up In A Queer Family, the Challenges of Shooting the First Gay Slasher and ‘Hellbent’s Legacy
• [Fantasia 2019] Five Films To Get Excited For At This Year’s Festival
• Queer Horror Director Showcase: Yann Gonzalez on Gregg Araki’s ‘Nowhere’, Making His Mom Cry, And Being Understood in the US
• Guest Appearances
• [Pose Recap w/t Gayly Dreadful] Bodies In The Closet in ‘Butterfly/Cocoon’
• Queer Horror Director Showcase: Jaclyn Chessen on Strong Female Characters and Crafting Queer Characters Who Are “Just Here”
• Queer Horror Director Showcase: Chris Peckover on ‘The Mexican’ As A Coming Out Film, Desexualized Queer Characters And The Ups and Downs Of Hollywood
• [Frameline 43] ‘Bit’ Is A Revolutionary Queer Feminist Vampire Film
• [Frameline 43] ‘End Of The Century’ Offers Intimacy In Spite Of Confused Storytelling
• Queer Horror Director Showcase: Ted Geoghegan on ‘Friday the 13th’ As Gateway Horror and Using Historical Polyamory To Normalize Difference
• Queer Horror Director Showcase: Carter Smith on Being Mesmerized by ‘The Brood’ and Combining Horror and Fashion in ‘All The Dead Boys’
• Queer Horror Director Showcase: Sam Wineman on Road Trips, ‘Black Christmas’ and Being a Blumhouse Baby
• Queer Horror Director Showcase: Monika Estrella Negra, Escaping Traditionalist BS & Telling Our Own Stories
• [Review] Head Count Is A Mean, Savvy Supernatural Thriller
• Queer Horror Director Showcase: Chris Moore, Using Horror To Confront Fears & Adrienne Barbeau As The Best Queer Character
• [Pose Recap w/t Gayly Dreadful] AIDS, Madonna and Glow-Ups Kick-Off ‘Acting Up’
• Queer Horror Director Showcase: Jeffrey Reddick, How Risk Affects Gay Content in Hollywood and Making the Jump from Writer to Director
• Queer Horror Director Showcase: Erlingur Thoroddsen, Growing Up Gay in Iceland and the US Remake of ‘Rift’
• Queer Horror Creator Showcase: DRW Phillips, Crafting Alt Posters and Making Space For New Voices
• [Review] An Unsettling Premise Can’t Save ‘The Cleaning Lady’ From A Weak Script
• Queer Horror Director Showcase: BJ Colangelo, Growing Up In The Public Eye and the Cleveland Horror Scene
• Queer Horror Director Showcase: Christopher Landon, Two Johns and Misunderstood Characters
• Queer Horror Director Showcase: Parker Brennon, ‘Carnival of Souls’ and “…Can Kill” Horror
• [TV Review] Netflix’s ‘What/If’ Is Wonderfully Glorious Trash
• [Review] ‘Brightburn’ Brings the Gore to Superhero Horror
• 12th Annual Off-Camera Film Festival Wrap Up
• [Cinepocalypse] 4 Films to Flag in the Cinepocalypse 2019 Film Festival Line-Up
• Exclusive Pics of Queer Horror Short ‘The Office is Mine’ Reveals Workplace Politics Can Be Killer
• 4 Reasons To Check Out ‘Piercing’, A Psychological Battle Of Wills
• XOXO Horror Podcast
• Hazel & Katniss & Harry & Starr Podcast
• [Review] Rush IFC Midnight’s ‘Pledge’…If You Dare
• [He Said/She Said] ‘Bird Box’ Works Best for Non-Horror Fans
• Horror Queers
• [Review] ‘A Moment In The Reeds’ Is A Lush, Evocative Romance
• [Rant] Where Are All Of The Queer Female-Identifying Horror Directors?
• [BitS Review] MONTRÉAL DEAD END Is An Uneven Horror Comedy Anthology
• [BitS Review] SUPERGRID Is An Ambitious, Albeit Familiar, Dystopian Action Flick
• [Review] RALPH BREAKS THE INTERNET Is Solid Family Fun
• VOD Review: The Forest Of Lost Souls Is A Simple, But Effective Thriller
• Friday The 13th The Series Rewatch: S01E22 – “It’s So Cold. Cold And Dead”
• Friday The 13th The Series Rewatch: S01E21 – “Anyone Who Comes Near Us Dies”
• Friday The 13th The Series Rewatch: S01E20 – “This Is God’s Court!”
• Friday The 13th The Series Rewatch: S01E19 – “I Knew The Quilt Was Evil”
• Friday The 13th The Series Rewatch: S01E18 – “I Don’t Want To Be Stupid Anymore!”
• Friday The 13th The Series Rewatch: S01E017 – “You Give Me The Juice I Need To Go On”
• Friday The 13th The Series Rewatch: S01E016 – “This Is Chinatown”
• [TADFF 18] ‘You Might Be The Killer’ Aims For Meta Slasher Horror Comedy
• Friday The 13th The Series Rewatch: S01E15 – “The Only Way To Take You To Prom Is On A Leash!”
• Friday The 13th The Series Rewatch: S01E14 – “You’re No Phone Men”
• [TADFF 18] Extracurricular Proves The Kids Aren’t Alright
• Friday The 13th The Series Rewatch: S01E13 – ““Noooo, I Don’t Wanna Go!”
• Friday The 13th The Series Rewatch: S01E12 – “He Got What He Deserved. He Was A Pig”
• [Toronto After Dark 18] Prey Is A Silly, Delightful Creature Feature
• Friday The 13th The Series Rewatch: S01E11 – “Gotta Break Her Before You Can Ride Her”
• Friday The 13th The Series Rewatch: S01E10 – “Tell Me Boy, How Does It Feel To Be A Hero?”
• Friday The 13th The Series Rewatch: S01E09 – “A Kissy Faced Pimp”
• Friday The 13th The Series Rewatch: S01E08 – “The Skirt With The Camera”
• Friday The 13th The Series Rewatch: S01E07 – “He’s Turning Medicine Into A 3-Ring Circus”
• Friday The 13th The Series Rewatch: S01E06 – “Do Not Invite To The Same Party”
• Friday The 13th The Series Rewatch: S01E05 – “He Knew We’d Have Soft Hearts!”
• Friday The 13th The Series Rewatch: S01E04 – “Who Ate All The Chips?!”
• Friday The 13th The Series Rewatch: S01E03 ““He Left With This Girl — Kind Of Attractive”
• Friday The 13th Series Rewatch: S01E02 “He Should Have Stuck To Pencils”
• Friday The 13th The Series Rewatch: S01E01 “So Much For Innocent Playthings”
• The Final B*tch TV Watch: Fall 2018
• [Fantasia Fest 2018] BODIED Is As Controversial As It Is Unexpected
• [Fantasia Fest 2018] PUPPET MASTER: THE LITTLEST REICHT Delights In Tasteless, Offensive Gore
• [Fantasia Fest 2018] KNUCKLEBALL Is A Lean, Mean Canadian Thriller
• [Fantasia Fest 2018] CAM Is A Sex Positive Identity Theft Thriller
• [Fantasia Festival 2018] SATAN’S SLAVES Leans Too Heavily Into Ghost Tropes
• [Fantasia Fest 2018] COLD SKIN is a simplistic monster movie
• [Fantasia Festival 2018] Isolation is the greatest enemy in French zombie film LA NUIT A DEVORE LE MONDE
• [Fantasia Festival 2018] 5 Can’t Miss Films Playing at Fantasia 2018
• [Inside/Out Film Festival] M/M is a Sumptuous Visual Feast
• [He Said/She Said] ORPHAN’s Family Melodrama Is Overshadowed By An Insane Twist
• [TISH 2018] Hot Takes From Toronto Int’l Spring Of Horror Film Fest 1
• [What The Fest?! Review] GHOST STORIES Falls Prey To Its Theatrical Origin
• [BUFF/TADFF 18] TIGERS ARE NOT AFRAID Brings Fantasy To A Grim Reality
• [What The Fest!? Review] LOWLIFE Is A Dark & Funny Crime Caper
• [HXFF Review] Supernatural Abduction Film THE HERETICS Explores Trauma & Survival
• [HXFF Review] RUIN ME Is An Innovative Slasher With A Polarizing Plot Point
• He Said/She Said: VERONICA Is Rife With Rich Symbolism & Feminist Themes
• [MidWest Weirdfest] THE MOOSE HEAD OVER THE MANTEL Is A Stagey Historical Anthology
• [MidWest Weirdfest] FUTURE Is A Life-Affirming Drama Wrapped In A Sci-Fi Premise
• [MidWest Weirdfest] ATTACK OF THE TATTIE-BOGLE Is Lean & Mean
• [Review] NOVEMBER Is The Black & White Fairytale Of Your Dreams