Archive Page

Pages:

• About
• Column Classes
• Page Layouts
  • Content/Sidebar
  • Content/Sidebar/Sidebar
  • Full Width Content
  • Sidebar/Content
  • Sidebar/Content/Sidebar
  • Sidebar/Sidebar/Content
• Page Templates
  • Archive Page
  • Blog Page
• Sub Page 1.1
  • Sub Page 2.1
    • Sub Page 3.1
    • Sub Page 3.2
    • Sub Page 3.3

Categories:

• Bitch Awards
  • Film – 2011
  • Film – 2012
  • Film – 2013
  • Film – 2014
  • Film – 2016
  • Film – 2017
  • TV – 2011
  • TV – 2012
  • TV – 2013
  • TV – 2014
  • TV – 2015
  • TV – 2016
  • TV – 2017
• Horror
  • He Said/She Said
  • Horror Bucket List
  • Horror Film Festival Coverage
    • Blood in the Snow
    • Boston Underground Film Festival
    • Cinepocalypse
    • Fantasia Film Festival
    • Hexploitation Film Festival
    • Horror-on-Sea
    • MidWest Weirdfest
    • Spring of Horror
    • Toronto After Dark
    • What The Fest!?
  • Other Writing
• Horror Film Reviews
• Interview
• Live Appearances
• Movies
  • Box Office Report
  • Christmas Films
  • Film Festivals
    • Toronto International Film Festival
  • Film Reviews
  • Hazel & Katniss & Harry & Starr Podcast
• Music / Book
• Podcasts
• Queer
  • Frameline LGBT Film Festival
  • Horror Queers
  • Inside/Out Film Festival
  • Queer Film Reviews
  • Queer TV
    • American Horror Story
    • Bitten
    • Hannibal
    • In The Flesh
    • Lost Girl
    • Orange Is The New Black
    • Pose
    • Sense8
    • Transparent
• Talk Back
• TV
  • The B*tch Watch
• TV – Current Coverage
  • Ash vs Evil Dead
  • Blood & Oil
  • Grimm
  • Into The Dark
  • iZombie
  • Kingdom
  • Motherland
  • Reviews w/t Gayly Dreadful
  • Servant
  • The Muppets
  • The Outsider
• TV – Hiatus
  • Humans
  • Marvel's Agent Carter
  • Rectify
  • Scream
  • Sherlock
  • The Flash
  • The Leftovers
  • The Originals
  • Zoo
• TV – Internet
  • Arrested Development
  • Between
  • Bloodline
  • House Of Cards
  • Marvel's Jessica Jones
  • Narcos
  • The Fall
  • Wet Hot American Summer
• TV – Off The Air / Archived
  • 24
  • 30 Rock
  • About A Boy
  • Alcatraz
  • Almost Human
  • America's Next Top Model
  • Arrow
  • Ascension
  • Awake
  • Awkward.
  • Bates Motel
  • Being Erica
  • Black Mirror
  • Breaking Bad
  • Broadchurch
  • Bunheads
  • Continuum
  • Dallas
  • Damages
  • Dexter
  • Doctor Who
  • Elementary
  • Friday The 13th The Series
  • Fringe
  • Game of Thrones
  • GCB
  • Girls
  • Gotham
  • Happy Endings
  • Helix
  • Heroes Reborn
  • Homeland
  • I Just Want My Pants Back
  • Justified
  • Last Resort
  • Mad Men
  • Marvel's Agents of S.H.I.E.L.D.
  • Modern Family
  • Nashville
  • Once Upon A Time
  • Orphan Black
  • Outlander
  • Parks & Recreation
  • Penny Dreadful
  • Revenge
  • Revolution
  • Ringer
  • Scandal
  • Scream Queens
  • Sleepy Hollow
  • Smash
  • Spartacus: War Of The Damned
  • Star-Crossed
  • Strike Back
  • SYTYCD
  • Teen Wolf
  • The Bachelorette
  • The Blacklist
  • The Borgias
  • The Bridge
  • The Crazy Ones
  • The Following
  • The Good Wife
  • The Last Kingdom
  • The River
  • The Secret Circle
  • The Vampire Diaries
  • The Walking Dead
  • The West Wing
  • The White Queen
  • True Blood
  • Under The Dome
• TV Review

Authors:

• Bitch Stole My Remote (225)
• Brenna Clarke Gray (7)
• couchpotato (107)
• elrond99 (21)
• fictura (16)
• harrisonfantastic (12)
• Joe Lipsett (1538)
• thedude35 (118)
• tvangie (212)
• yellowwait (89)

Monthly:

• May 2020
• April 2020
• March 2020
• February 2020
• January 2020
• December 2019
• November 2019
• October 2019
• September 2019
• August 2019
• July 2019
• June 2019
• May 2019
• March 2019
• February 2019
• January 2019
• December 2018
• November 2018
• October 2018
• August 2018
• July 2018
• June 2018
• April 2018
• March 2018
• February 2018
• January 2018
• December 2017
• November 2017
• October 2017
• September 2017
• August 2017
• July 2017
• June 2017
• May 2017
• April 2017
• March 2017
• February 2017
• January 2017
• December 2016
• September 2016
• July 2016
• June 2016
• May 2016
• April 2016
• December 2015
• November 2015
• October 2015
• September 2015
• August 2015
• July 2015
• June 2015
• May 2015
• April 2015
• March 2015
• February 2015
• January 2015
• December 2014
• November 2014
• October 2014
• September 2014
• August 2014
• July 2014
• June 2014
• May 2014
• April 2014
• March 2014
• February 2014
• January 2014
• December 2013
• November 2013
• October 2013
• September 2013
• August 2013
• July 2013
• June 2013
• May 2013
• April 2013
• March 2013
• February 2013
• January 2013
• December 2012
• November 2012
• October 2012
• September 2012
• August 2012
• July 2012
• June 2012
• May 2012
• April 2012
• March 2012
• February 2012
• January 2012
• December 2011
• November 2011
• October 2011

Recent Posts:

• [Into The Dark reviews w/t Gayly Dreadful] Dissecting Misogyny and Frankenstein Tragedy in “All That We Destroy”
• [Penny Dreadful review w/t Gayly Dreadful] All Goodwill for “Josefina And The Holy Spirit” Is Destroyed In One Scene
• [Horror Bucket List] Harrowing [REC] Makes Found Footage Feel Fresh
• [Motherland: Fort Salem review w/t Gayly Dreadful] “Coup” Reveals The Capital ‘V’ Villain of S1
• [Into The Dark Review w/t Gayly Dreadful] ‘Delivered’ Is Narratively Stillborn
• [Penny Dreadful: City of Angels review w/t Gayly Dreadful] “Dead People Lie Down” Favors Characters Over Action
• [He Said/She Said] ‘The Wretched’ Digs Up Squelching Effects And Mean Thrills
• [Motherland: Fort Salem review w/t Gayly Dreadful] ‘Mother Mycelium’ Introduces Real World Complexity
• [Horror Bucket List] ‘The Cat o’ Nine Tails’ Is A Surprisingly Queer Positive Early Argento Film
• Amazon’s ‘Upload’ from Greg Daniels: TV Review
• [He Said/She Said] ‘Why Don’t You Just Die!’ Is Early Tarantino…Russian-Style
• [Motherland: Fort Salem review w/t Gayly Dreadful] The Show’s Potential Is Unlocked With “Bellweather Season”
• [Horror Bucket List] ‘Next Of Kin’ (1982) Is A Gorgeous, Slow Burn Ozploitation Classic
• [Horror Bucket List] ‘The Pact’ Offers Plenty of Hidden Surprises
• [He Said / She Said] ‘Extra Ordinary’ Is Nothing Short of Amazing
• [Motherland: Fort Salem review w/t Gayly Dreadful] Boys and Generals Dominate “A Biddy’s Life”
• [Horror Bucket List] ‘Thirst’ Is A Sexy & Subversive Korean Take on the Vampire Mythos
• [Horror Bucket List] ‘The Night of the Hunter’ Is A Classic, Eerie Moral Odyssey
• [Motherland: Fort Salem review w/t Gayly Dreadful] “Say The Words” Introduces An Alt-World of Patriotic Witches
• [Kingdom review w/t Gayly Dreadful] The 1st half of S2 Delivers Big Set Pieces, Deaths and Palace Intrigue
• [Review] ‘Bloodshot’ is Ridiculous Fun (and Smarter Than It Looks)
• [The Outsider recap w/t Gayly Dreadful] “Must/Can’t” Doesn’t Get The Job Done
• [Horror Bucket List] ‘The Gate’ Is A (Forgotten?) Gateway Horror Film That Holds Up
• [Into The Dark review w/t Gayly Dreadful] “Crawlers” Is An Uninspired Take on Better Alien Invasion Flicks
• [The Outsider review w/t Gayly Dreadful] ‘Foxhead’ Takes The Show On The Road
• [Horror Bucket List] ‘The Seventh Victim’ Delivers The Queer Satanism
• [Blu Review] Shout Factory’s ‘My Bloody Valentine’ Is A Love Letter To Horror Fans
• [Horror Bucket List] ‘Shutter’ Finds Scares in Karma and Spectral Hauntings
• [The Outsider recap w/t Gayly Dreadful] Holly Finally Joins The Group for An Explosive Reveal
• [Review] ‘Mon Mon Mon MONSTERS’ Is A Challenging Depiction of Teenage Sociopathy
• [Horror Bucket List] ‘Night Of The Demons’ Is A Zany, Practical Effects Delight
• [The Outsider recap w/t Gayly Dreadful] “Que Viene el Coco” Identifies The Bogeyman
• [He Said / She Said]: ‘Countdown’ Fluctuates Between Silly, Ridiculous and Borderline Offensive
• [The Outsider recap w/t Gayly Dreadful] The Latest Stephen King Adaptation Opens With Plenty of Mystery
• [Servant Recap w/t Gayly Dreadful] ‘Jericho’ Delivers A Gut Punching Revelation
• [He Said/She Said] ‘I See You’ Surprises, Intrigues and Entertains
• Interview: Writer Erlingur Thoroddsen and Director Carter Smith on Hulu’s ‘Into The Dark: Midnight Kiss’
• [Servant recap w/t Gayly Dreadful) Another Tense Dinner & a Purple Balloon Dominate “Haggis”
• [Review] ‘Star Wars: The Rise Of Skywalker’ Offers Plenty of Fan-Service and Nostalgia
• Horror Writing For External Websites
• [Servant Review w/t Gayly Dreadful] “Cricket” Confirms Leanne’s Magical Abilities
• [He Said/She Said] ‘Rabid’ Has Problems In Front Of And Behind The Camera
• [Servant Review w/t Gayly Dreadful] Baby Dolls, Creepy Nannies and Weird Sex Dominate Eps 1-3
• [AHS 1984 Recap w/t Gayly Dreadful] “Rest In Pieces” Is DOA
• Live Appearances
• [Review] ‘Terminator: Dark Fate’ Is One Hell Of A Progressive Blockbuster
• [Review] Stop Me If You’re Heard This Before: Patrick Lussier’s ‘Trick’ Is No Treat
• [AHS Recap w/t Gayly Dreadful] ‘True Killers’ Opts For Killers All The Way Down
• [AHS 1984 recap w/t Gayly Dreadful] “Mr. Jingles” Suffers From Ryan Murphy Syndrome
• TIFF – Non-Genre Coverage
• Other Horror Writing
• [Review] ‘The Fanatic’ Is Empty And Offensive
• [Pose Recap w/t Gayly Dreadful] Bikinis, Boys and Reads in “Life’s A Beach”
• [Pose Recap W/T Gayly Dreadful] ‘Blow’ Offers Up Condoms, Coke and Cots
• [Pose Recap W/t Gayly Dreadful] Ninja 3: The Domination Is The Best Part Of “What Would Candy Do?”
• [Fantasia Review] Paradise Hills Offers Beauty, But Misunderstands Its Own Appeal
• [Review] ‘Scream: Resurrection’ Kills With Boredom
• [Review] Canadian Zombie Film ‘Deadsight’ Offers Stripped Down Tension
• Queer Horror Director Showcase: Michael Varrati on Empowering Queer Youth, the Influence of Up All Night and Working on Literally Everything
• Queer Horror Director Showcase: Paul Etheredge on Growing Up In A Queer Family, the Challenges of Shooting the First Gay Slasher and ‘Hellbent’s Legacy
• [Fantasia 2019] Five Films To Get Excited For At This Year’s Festival
• Queer Horror Director Showcase: Yann Gonzalez on Gregg Araki’s ‘Nowhere’, Making His Mom Cry, And Being Understood in the US
• Guest Appearances
• [Pose Recap w/t Gayly Dreadful] Bodies In The Closet in ‘Butterfly/Cocoon’
• Queer Horror Director Showcase: Jaclyn Chessen on Strong Female Characters and Crafting Queer Characters Who Are “Just Here”
• Queer Horror Director Showcase: Chris Peckover on ‘The Mexican’ As A Coming Out Film, Desexualized Queer Characters And The Ups and Downs Of Hollywood
• [Frameline 43] ‘Bit’ Is A Revolutionary Queer Feminist Vampire Film
• [Frameline 43] ‘End Of The Century’ Offers Intimacy In Spite Of Confused Storytelling
• Queer Horror Director Showcase: Ted Geoghegan on ‘Friday the 13th’ As Gateway Horror and Using Historical Polyamory To Normalize Difference
• Queer Horror Director Showcase: Carter Smith on Being Mesmerized by ‘The Brood’ and Combining Horror and Fashion in ‘All The Dead Boys’
• Queer Horror Director Showcase: Sam Wineman on Road Trips, ‘Black Christmas’ and Being a Blumhouse Baby
• Queer Horror Director Showcase: Monika Estrella Negra, Escaping Traditionalist BS & Telling Our Own Stories
• [Review] Head Count Is A Mean, Savvy Supernatural Thriller
• Queer Horror Director Showcase: Chris Moore, Using Horror To Confront Fears & Adrienne Barbeau As The Best Queer Character
• [Pose Recap w/t Gayly Dreadful] AIDS, Madonna and Glow-Ups Kick-Off ‘Acting Up’
• Queer Horror Director Showcase: Jeffrey Reddick, How Risk Affects Gay Content in Hollywood and Making the Jump from Writer to Director
• Queer Horror Director Showcase: Erlingur Thoroddsen, Growing Up Gay in Iceland and the US Remake of ‘Rift’
• Queer Horror Creator Showcase: DRW Phillips, Crafting Alt Posters and Making Space For New Voices
• [Review] An Unsettling Premise Can’t Save ‘The Cleaning Lady’ From A Weak Script
• Queer Horror Director Showcase: BJ Colangelo, Growing Up In The Public Eye and the Cleveland Horror Scene
• Queer Horror Director Showcase: Christopher Landon, Two Johns and Misunderstood Characters
• Queer Horror Director Showcase: Parker Brennon, ‘Carnival of Souls’ and “…Can Kill” Horror
• [TV Review] Netflix’s ‘What/If’ Is Wonderfully Glorious Trash
• [Review] ‘Brightburn’ Brings the Gore to Superhero Horror
• 12th Annual Off-Camera Film Festival Wrap Up
• [Cinepocalypse] 4 Films to Flag in the Cinepocalypse 2019 Film Festival Line-Up
• Exclusive Pics of Queer Horror Short ‘The Office is Mine’ Reveals Workplace Politics Can Be Killer
• 4 Reasons To Check Out ‘Piercing’, A Psychological Battle Of Wills
• XOXO Horror Podcast
• Hazel & Katniss & Harry & Starr Podcast
• [Review] Rush IFC Midnight’s ‘Pledge’…If You Dare
• [He Said/She Said] ‘Bird Box’ Works Best for Non-Horror Fans
• Horror Queers
• [Review] ‘A Moment In The Reeds’ Is A Lush, Evocative Romance
• [Rant] Where Are All Of The Queer Female-Identifying Horror Directors?
• [BitS Review] MONTRÉAL DEAD END Is An Uneven Horror Comedy Anthology
• [BitS Review] SUPERGRID Is An Ambitious, Albeit Familiar, Dystopian Action Flick
• [Review] RALPH BREAKS THE INTERNET Is Solid Family Fun
• VOD Review: The Forest Of Lost Souls Is A Simple, But Effective Thriller
• Friday The 13th The Series Rewatch: S01E22 – “It’s So Cold. Cold And Dead”