Pages:
Categories:
- Bitch Awards
- Horror
- Horror Film Reviews
- Interview
- Live Appearances
- Movies
- Music / Book
- Podcasts
- Queer
- Talk Back
- TV
- TV – Current Coverage
- TV – Hiatus
- TV – Internet
- TV – Off The Air / Archived
- 24
- 30 Rock
- About A Boy
- Alcatraz
- Almost Human
- America's Next Top Model
- Arrow
- Ascension
- Awake
- Awkward.
- Bates Motel
- Being Erica
- Black Mirror
- Breaking Bad
- Broadchurch
- Bunheads
- Continuum
- Dallas
- Damages
- Dexter
- Doctor Who
- Elementary
- Friday The 13th The Series
- Fringe
- Game of Thrones
- GCB
- Girls
- Gotham
- Happy Endings
- Helix
- Heroes Reborn
- Homeland
- I Just Want My Pants Back
- Justified
- Last Resort
- Mad Men
- Marvel's Agents of S.H.I.E.L.D.
- Modern Family
- Nashville
- Once Upon A Time
- Orphan Black
- Outlander
- Parks & Recreation
- Penny Dreadful
- Revenge
- Revolution
- Ringer
- Scandal
- Scream Queens
- Sleepy Hollow
- Smash
- Spartacus: War Of The Damned
- Star-Crossed
- Strike Back
- SYTYCD
- Teen Wolf
- The Bachelorette
- The Blacklist
- The Borgias
- The Bridge
- The Crazy Ones
- The Following
- The Good Wife
- The Last Kingdom
- The River
- The Secret Circle
- The Vampire Diaries
- The Walking Dead
- The West Wing
- The White Queen
- True Blood
- Under The Dome
- TV Review
Authors:
- Bitch Stole My Remote (225)
- Brenna Clarke Gray (7)
- couchpotato (107)
- elrond99 (21)
- fictura (16)
- harrisonfantastic (12)
- Joe Lipsett (1659)
- thedude35 (118)
- tvangie (212)
- yellowwait (89)
Monthly:
- January 2022
- December 2021
- November 2021
- October 2021
- September 2021
- August 2021
- July 2021
- June 2021
- May 2021
- April 2021
- March 2021
- February 2021
- January 2021
- December 2020
- November 2020
- October 2020
- September 2020
- August 2020
- July 2020
- June 2020
- May 2020
- April 2020
- March 2020
- February 2020
- January 2020
- December 2019
- November 2019
- October 2019
- September 2019
- August 2019
- July 2019
- June 2019
- May 2019
- March 2019
- February 2019
- January 2019
- December 2018
- November 2018
- October 2018
- August 2018
- July 2018
- June 2018
- April 2018
- March 2018
- February 2018
- January 2018
- December 2017
- November 2017
- October 2017
- September 2017
- August 2017
- July 2017
- June 2017
- May 2017
- April 2017
- March 2017
- February 2017
- January 2017
- December 2016
- September 2016
- July 2016
- June 2016
- May 2016
- April 2016
- December 2015
- November 2015
- October 2015
- September 2015
- August 2015
- July 2015
- June 2015
- May 2015
- April 2015
- March 2015
- February 2015
- January 2015
- December 2014
- November 2014
- October 2014
- September 2014
- August 2014
- July 2014
- June 2014
- May 2014
- April 2014
- March 2014
- February 2014
- January 2014
- December 2013
- November 2013
- October 2013
- September 2013
- August 2013
- July 2013
- June 2013
- May 2013
- April 2013
- March 2013
- February 2013
- January 2013
- December 2012
- November 2012
- October 2012
- September 2012
- August 2012
- July 2012
- June 2012
- May 2012
- April 2012
- March 2012
- February 2012
- January 2012
- December 2011
- November 2011
- October 2011
Recent Posts:
- ‘Watcher’ Is A Beautiful, But Predictable Thriller [Sundance Review]
- Riley Stearns’ ‘Dual’ Is A Dark, Wry Cloning Satire [Sundance Review]
- ‘A Discovery of Witches’ Ventures To New Orleans To Make Amends [Review 3.03]
- Faces From The Past Shake Up ‘A Discovery of Witches’ Present [Review S3E02 ]
- Lily Krug Dazzles In The Formulaic Erotic Thriller ‘Shattered’ [Review]
- ‘Station Eleven’ Ends On An Emotional Note with “Unbroken Circle” [Review w/ Gayly Dreadful]
- ‘Yellowjackets’ Breaks Out The Knives For “Doomcoming” [Review w/ Gayly Dreadful]
- ‘Search Party’ Ends With Zombies And A Little Closure [Review w/ Gayly Dreadful]
- Grief and Threats Kick Off The Final Season of ‘A Discovery of Witches’ [Review]
- In Episodes 6 & 7, ‘Station Eleven’ Continues To Set Up Dominoes [TV Review w/ Gayly Dreadful]
- Glitter, Wolves and Wild Speculation Abound in “No Compass” [Yellowjackets Review w/ Gayly Dreadful]
- ‘The Matrix Resurrections’ Is Unabashedly Queer & Romantic [Review]
- ‘Station Eleven’ Explores Art and Memory At The End of The World [Review w/ Gayly Dreadful]
- ‘Yellowjackets’ Goes Full Seance with “Blood Hive” [Review w/ Gayly Dreadful]
- With “The Dollhouse”, ‘Yellowjackets’ Veers Into The Supernatural [Review w/ Gayly Dreadful]
- ‘Ghostbusters: Afterlife’ Is A Fun, But Forgettable Burst of Nostalgia [Review]
- Showtime’s ‘Yellowjackets’ Is Your New TV Obsession [Review w/ Gayly Dreadful]
- Missed Opportunities Mar Solid Creature Feature ‘Antlers’ [Review]
- Why The Extended Cut Of ‘Escape Room 2’ Is Superior [Blu Review]
- ‘Slayed’ LGBTQ+ Horror Shorts [Brooklyn Horror Review]
- ‘When I Consume You’ Is A Bleak Character Study of Mental Health [Brooklyn Horror Review]
- ‘Nightshooters’ Delivers Epic Action [Toronto After Dark Review]
- Impressive Visual Effects Elevate ‘Post Mortem’ [Toronto After Dark Review]
- ‘Slumber Party Massacre’ Subverts Slasher Tropes [Review]
- ‘She Will’ Finds Female Rage In The Woods [Fantastic Fest Review]
- Spanish Film ‘Arrebato’ Is Haunting, Beautiful and Divisive [Review w/ Gayly Dreadful]
- ‘Venom: Let There Be Carnage’ Is An Out and Proud Sequel [Review]
- ‘No Time To Die’ Is A Disappointing End For Daniel Craig’s James Bond [Review]
- ‘Let The Wrong One In’ Is A Silly Delight [Fantastic Fest Review]
- A Great First Act Can’t Save ‘There’s Someone Inside Your House’ [Fantastic Fest Review]
- [TIFF Review] ‘A Banquet’ Is A Captivating Domestic Horror Film
- ‘Wildland’ is a Slow Burn Family Crime Drama [Film Review]
- ‘Shang-Chi and The Legend of the Ten Rings’ Is A Welcome Addition to the MCU [Review]
- Netflix’s ‘He’s All That’ is Surprisingly Fun and Frivolous [Review]
- ‘Candyman’ Is Stunningly Powerful and Evocative [Film Review]
- [TV Review] S2 of HBO Max’s ‘The Other Two’ Is As Witty, Absurd and Must Watch as Ever
- ‘Midnight’ Is A Visceral Cat and Mouse Thriller [Fantasia 2021]
- Review: ‘The Night House’ Is An Unsettling Showcase for Rebecca Hall
- Intolerance is the True Horror in ‘The Last Thing Mary Saw’ [Fantasia Review]
- ‘Old’ Tantalizes With An Intriguing Premise and Horrific Set Pieces [Review]
- ‘Tailgate’ Is A High Octane Road Rage Thriller [North Bend Film Festival Review]
- HBO Max’s ‘Generation’ Wraps S1 with Secrets, Break-Ups and Propositions [Review w/ Gayly Dreadful]
- ‘The Forever Purge’ Takes One Last Shot at American Patriotism [Review]
- ‘Black Widow’ Is A Solid Mid-Tier Marvel Film [Review]
- ‘Genera+ion’ Redeems An Unlikely Character Before Hitting Hamburger Mary’s (Review w/ Gayly Dreadful]
- Adrien Brody’s ‘Clean’ is no ‘John Wick’ [Tribeca Review]
- ‘My Heart Can’t Beat Unless You Tell It To’ [Tribeca Review]
- Solving ‘Ultrasound’s Puzzle is Half the Fun [Tribeca Review]
- ‘No Man of God’ [Tribeca Review]
- ‘Love, Victor’ Season 2 [Review w/ Gayly Dreadful]
- ‘In The Heights’ Celebrates Pride and Community [Review]
- ‘Poppy Field’ Explores the Dangerous Impact of Homophobia and the Closet [Inside/Out Review]
- ‘A Sexplanation’ Is A Charming Sex-Ed Documentary [Inside/Out Review]
- With “Into Hell”, ‘Fall River’ Finally Confirms Its Bias [Review w/ Gayly Dreadful]
- ‘Cruella’ Is A Slice of Pop-Punk Delight [Review]
- ‘Fall River’ 1.02 Needs More Satanic Panic [Review w/ Gayly Dreadful]
- ‘The Retreat’ (2021) Is A Queer Revenge Thriller That Plays It Safe [Review]
- ‘Spiral’ Resurrects The Saw Franchise [Review]
- ‘Oxygen’ Is A Testament To Alexandre Aja’s Taunt Direction
- Why ‘Jupiter’s Legacy’ S1 Doesn’t Work [Review w/ Lindsay Traves]
- ‘Someone Like Me’ Is A Muddled Look At The Queer Refugee Experience [Hot Docs Review]
- Netflix’s ‘Jupiter’s Legacy’ Struggles To Balance Politics with Character [Review w/ Lindsay Traves]
- ‘The Face of Anonymous’ Offers A Portrait Of An Aging Activist [Hot Docs Review]
- Docuseries ‘Sasquatch’ Ambitiously Tackles True Crime and Cryptids [Review w/ Gayly Dreadful]
- ‘The Mortuary Collection’ Shines on Blu [Review]
- ‘Fukushima 50’ Is A Dramatic Chronicle Of A Near Nuclear Disaster [Review]
- ‘Jakob’s Wife’ Needs More Marriage And Less Vampire [Review]
- ‘The Banishing’ Is A Stately, Sleepy Haunted House Film [He Said / She Said Review]
- ‘Moffie’ Is An Emotionally Resonant Look At The Effects of Queer Repression [Review]
- ‘Nina Wu’ Is A Challenging, Hallucinatory Condemnation of Abuse in the Film Industry [Review w/ Gayly Dreadful]
- Exploding “Nice Guy” Culture In ‘Promising Young Woman’ [Blu Review]
- The GSA Hits The Road For A Messy Road Trip in Episodes 6 and 7 of ‘Genera+ion’ [Review w/ Gayly Dreadful]
- “Josephine” Wraps Up ‘Servant’ S2 With Death, Rebirth and A Power Outage
- Andrea Riseborough Anchors Messy Reincarnation Drama ‘Here Before’ [SXSW Review]
- Disney+’s ‘The Falcon and The Winter Soldier’ Offers Surprising Character Depth [TV Review]
- ‘Broadcast Signal Intrusion’ Is A Paranoid Descent Into Endless Mystery [SXSW Review]
- ‘The Feast’ Serves Up Beauty and Grand Guignol Carnage [SXSW Review]
- ‘Offseason’ Delivers Style Over Substance and Scares [SXSW Review]
- ‘Psycho Goreman’ Is A Delightful Throwback With A Mean Streak [Blu Review]
- A Disappointing Death Mars An Otherwise Solid Finale of ‘A Discovery Of Witches’ [Review]
- The Teens Are Mostly Alright in HBO Max’s New Series, Genera+ion [Review w/ Gayly Dreadful]
- Grievances From The Past Come Back To Haunt Diana and Matthew [‘A Discovery of Witches’ Review]
- The Countdown To Doom Begins In The Hitchcockian “Loveshack” [Servant Review w/ Gayly Dreadful]
- ‘Dreamcatcher’ Is A Messy Attempt To Fuse Disparate Subgenres Together [Review]
- Marcus Confirms He’s The Most Foolish Character In A Frustrating ‘A Discovery of Witches’ [Review]
- The de Clermonts Battle Each Other and Emperor Rudolph In A Frustrating ‘A Discovery Of Witches’ [Review]
- The Plagues Begin As Uncle George Returns in “Espresso” [Servant Review w/ Gayly Dreadful]
- Diana Joins the Family in a de Clermont Heavy Episode of ‘A Discovery of Witches’ [Review]
- ‘Into The Dark: Tentacles’ Has Sex and Ear Trauma, But Needed To Take More Risks [Review w/ Gayly Dreadful]
- Frannie Is Tempted In A New Coda To Stephen King’s ‘The Stand’ [Review w/ Gayly Dreadful]
- Diana Meets Philippe de Clermont In An Episode Both Tense And Placid ‘A Discovery of Witches’
- Dorothy – And ‘Servant’ – Cross The Point Of No Return in “2:00” [Review w/ Gayly Dreadful]
- Marcus Takes Center Stage In A Present Day Episode of ‘A Discovery Of Witches’ [Review]
- ‘Search Party’ Ends On A Beautiful, Powerful Note…Or Does It? [Review w/ Gayly Dreadful]
- An Audience With The Queen Sets ‘A Discovery of Witches’ On A New Journey [Review]
- “Spaceman” Delivers Chills With A Thrilling Hypnosis Scene [Servant Review w/ Gayly Dreadful]
- ‘The Stand’ Falls Back To Earth As “The Vigil” Introduces Trashcan Man [Review w/ Gayly Dreadful]
- [A Discovery of Witches Review] Matthew and Diana Settle Into 1590 With Mixed Results
- ‘WandaVision’ Charts An Ambitious, Unexpected New Direction For The MCU [Review]
- In Season 4, ‘Search Party’ Veers Into Psychological Horror Territory [Review w/ Gayly Dreadful]