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Authors:

• Bitch Stole My Remote (225)
• Brenna Clarke Gray (7)
• couchpotato (107)
• elrond99 (21)
• fictura (16)
• harrisonfantastic (12)
• Joe Lipsett (1615)
• thedude35 (118)
• tvangie (212)
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Recent Posts:

• ‘Genera+ion’ Redeems An Unlikely Character Before Hitting Hamburger Mary’s (Review w/ Gayly Dreadful]
• Adrien Brody’s ‘Clean’ is no ‘John Wick’ [Tribeca Review]
• ‘My Heart Can’t Beat Unless You Tell It To’ [Tribeca Review]
• Solving ‘Ultrasound’s Puzzle is Half the Fun [Tribeca Review]
• ‘No Man of God’ [Tribeca Review]
• ‘Love, Victor’ Season 2 [Review w/ Gayly Dreadful]
• ‘In The Heights’ Celebrates Pride and Community [Review]
• ‘Poppy Field’ Explores the Dangerous Impact of Homophobia and the Closet [Inside/Out Review]
• ‘A Sexplanation’ Is A Charming Sex-Ed Documentary [Inside/Out Review]
• With “Into Hell”, ‘Fall River’ Finally Confirms Its Bias [Review w/ Gayly Dreadful]
• ‘Cruella’ Is A Slice of Pop-Punk Delight [Review]
• ‘Fall River’ 1.02 Needs More Satanic Panic [Review w/ Gayly Dreadful]
• ‘The Retreat’ (2021) Is A Queer Revenge Thriller That Plays It Safe [Review]
• ‘Spiral’ Resurrects The Saw Franchise [Review]
• ‘Oxygen’ Is A Testament To Alexandre Aja’s Taunt Direction
• Why ‘Jupiter’s Legacy’ S1 Doesn’t Work [Review w/ Lindsay Traves]
• ‘Someone Like Me’ Is A Muddled Look At The Queer Refugee Experience [Hot Docs Review]
• Netflix’s ‘Jupiter’s Legacy’ Struggles To Balance Politics with Character [Review w/ Lindsay Traves]
• ‘The Face of Anonymous’ Offers A Portrait Of An Aging Activist [Hot Docs Review]
• Docuseries ‘Sasquatch’ Ambitiously Tackles True Crime and Cryptids [Review w/ Gayly Dreadful]
• ‘The Mortuary Collection’ Shines on Blu [Review]
• ‘Fukushima 50’ Is A Dramatic Chronicle Of A Near Nuclear Disaster [Review]
• ‘Jakob’s Wife’ Needs More Marriage And Less Vampire [Review]
• ‘The Banishing’ Is A Stately, Sleepy Haunted House Film [He Said / She Said Review]
• ‘Moffie’ Is An Emotionally Resonant Look At The Effects of Queer Repression [Review]
• ‘Nina Wu’ Is A Challenging, Hallucinatory Condemnation of Abuse in the Film Industry [Review w/ Gayly Dreadful]
• Exploding “Nice Guy” Culture In ‘Promising Young Woman’ [Blu Review]
• The GSA Hits The Road For A Messy Road Trip in Episodes 6 and 7 of ‘Genera+ion’ [Review w/ Gayly Dreadful]
• “Josephine” Wraps Up ‘Servant’ S2 With Death, Rebirth and A Power Outage
• Andrea Riseborough Anchors Messy Reincarnation Drama ‘Here Before’ [SXSW Review]
• Disney+’s ‘The Falcon and The Winter Soldier’ Offers Surprising Character Depth [TV Review]
• ‘Broadcast Signal Intrusion’ Is A Paranoid Descent Into Endless Mystery [SXSW Review]
• ‘The Feast’ Serves Up Beauty and Grand Guignol Carnage [SXSW Review]
• ‘Offseason’ Delivers Style Over Substance and Scares [SXSW Review]
• ‘Psycho Goreman’ Is A Delightful Throwback With A Mean Streak [Blu Review]
• A Disappointing Death Mars An Otherwise Solid Finale of ‘A Discovery Of Witches’ [Review]
• The Teens Are Mostly Alright in HBO Max’s New Series, Genera+ion [Review w/ Gayly Dreadful]
• Grievances From The Past Come Back To Haunt Diana and Matthew [‘A Discovery of Witches’ Review]
• The Countdown To Doom Begins In The Hitchcockian “Loveshack” [Servant Review w/ Gayly Dreadful]
• ‘Dreamcatcher’ Is A Messy Attempt To Fuse Disparate Subgenres Together [Review]
• Marcus Confirms He’s The Most Foolish Character In A Frustrating ‘A Discovery of Witches’ [Review]
• The de Clermonts Battle Each Other and Emperor Rudolph In A Frustrating ‘A Discovery Of Witches’ [Review]
• The Plagues Begin As Uncle George Returns in “Espresso” [Servant Review w/ Gayly Dreadful]
• Diana Joins the Family in a de Clermont Heavy Episode of ‘A Discovery of Witches’ [Review]
• ‘Into The Dark: Tentacles’ Has Sex and Ear Trauma, But Needed To Take More Risks [Review w/ Gayly Dreadful]
• Frannie Is Tempted In A New Coda To Stephen King’s ‘The Stand’ [Review w/ Gayly Dreadful]
• Diana Meets Philippe de Clermont In An Episode Both Tense And Placid ‘A Discovery of Witches’
• Dorothy – And ‘Servant’ – Cross The Point Of No Return in “2:00” [Review w/ Gayly Dreadful]
• Marcus Takes Center Stage In A Present Day Episode of ‘A Discovery Of Witches’ [Review]
• ‘Search Party’ Ends On A Beautiful, Powerful Note…Or Does It? [Review w/ Gayly Dreadful]
• An Audience With The Queen Sets ‘A Discovery of Witches’ On A New Journey [Review]
• “Spaceman” Delivers Chills With A Thrilling Hypnosis Scene [Servant Review w/ Gayly Dreadful]
• ‘The Stand’ Falls Back To Earth As “The Vigil” Introduces Trashcan Man [Review w/ Gayly Dreadful]
• [A Discovery of Witches Review] Matthew and Diana Settle Into 1590 With Mixed Results
• ‘WandaVision’ Charts An Ambitious, Unexpected New Direction For The MCU [Review]
• In Season 4, ‘Search Party’ Veers Into Psychological Horror Territory [Review w/ Gayly Dreadful]
• [A Discovery of Witches Review] Season 2 begins with a Diana/Matthew-heavy hour
• [The Stand Review w/ Gayly Dreadful] Spies Everywhere in “The House of the Dead”
• [The Stand Review w/ Gayly Dreadful] ‘Pocket Savior’ Offers More Thin Characterizations…but Heather Graham!
• [Review] ‘Train to Busan presents: Peninsula’ Is A Thrilling Zombie Action Film
• ‘Happiest Season’ Isn’t The Happy Queer Holiday Film We Need [Review w/ Gayly Dreadful]
• [Blu Review] Unpleasant Characters Dominate Mean Home Invasion Film ‘The Owners’
• [Nightstream Review] Exploring a Broad Range of Queer Horror in the ‘Slayed’ Shorts Program
• [Review] Celebrating Gothic Romance, T’Nia Miller and Tearful Endings in Episodes 5-8 of ‘The Haunting Of Bly Manor’
• [Nightstream Review] ‘Bloody Hell’ Is Bloody Fun
• [Review] ‘The Wolf of Snow Hollow’ Mistakes Screaming For Comedy
• [Review] Supernatural and Real Life Horrors Intersect in Monsterland’s First Four Episodes
• [Lovecraft Country Review w/ Gayly Dreadful] “A History of Violence” Queers The Indiana Jones Story
• [Lovecraft Country Review w/ Gayly Dreadful] ‘Whitey’s On The Moon’ Has Bad Pacing And Great Music Cues
• [Into The Dark review w/ Gayly Dreadful] “The Current Occupant” Is A Failed, Frustrating Political Paranoia Thriller
• [He Said / She Said Review] ‘The Beach House’ Is Essential Cosmic Aquatic Horror Viewing
• JU-ON: Origins Review w/t Gayly Dreadful: Slight Characters, But Mega Gore Dominate The Back Half Of S1
• [Penny Dreadful: City of Angels review w/ Gayly Dreadful] ‘Day Of The Dead’ Is A Finale That Elicits Shrugs, Not Riots
• [Penny Dreadful: City of Angels Review w/ Gayly Dreadful] Secrets Abound in “Hide and Seek”
• [TV Review w/ Gayly Dreadful] ‘Love, Victor’ Is A Heartfelt Companion to ‘Love, Simon’
• [He Said/She Said] ‘Becky’ Pits A Girl and A Black Woman Against Kevin James’ Aryan Brotherhood
• [Penny Dreadful: City of Angels review w/ Gayly Dreadful] A Lengthy Police Corruption Storyline Plagues “How It Is with Brothers”
• [Into The Dark reviews w/ Gayly Dreadful] Dissecting Misogyny and Frankenstein Tragedy in “All That We Destroy”
• [Penny Dreadful review w/ Gayly Dreadful] All Goodwill for “Josefina And The Holy Spirit” Is Destroyed In One Scene
• [Horror Bucket List] Harrowing [REC] Makes Found Footage Feel Fresh
• [Motherland: Fort Salem review w/ Gayly Dreadful] “Coup” Reveals The Capital ‘V’ Villain of S1
• [Into The Dark Review w/ Gayly Dreadful] ‘Delivered’ Is Narratively Stillborn
• [Penny Dreadful: City of Angels review w/ Gayly Dreadful] “Dead People Lie Down” Favors Characters Over Action
• [He Said/She Said] ‘The Wretched’ Digs Up Squelching Effects And Mean Thrills
• [Motherland: Fort Salem review w/ Gayly Dreadful] ‘Mother Mycelium’ Introduces Real World Complexity
• [Horror Bucket List] ‘The Cat o’ Nine Tails’ Is A Surprisingly Queer Positive Early Argento Film
• Amazon’s ‘Upload’ from Greg Daniels [Review]
• [He Said/She Said] ‘Why Don’t You Just Die!’ Is Early Tarantino…Russian-Style
• [Motherland: Fort Salem review w/ Gayly Dreadful] The Show’s Potential Is Unlocked With “Bellweather Season”
• [Horror Bucket List] ‘Next Of Kin’ (1982) Is A Gorgeous, Slow Burn Ozploitation Classic
• [Horror Bucket List] ‘The Pact’ Offers Plenty of Hidden Surprises
• [He Said / She Said] ‘Extra Ordinary’ Is Nothing Short of Amazing
• [Motherland: Fort Salem review w/ Gayly Dreadful] Boys and Generals Dominate “A Biddy’s Life”
• [Horror Bucket List] ‘Thirst’ Is A Sexy & Subversive Korean Take on the Vampire Mythos
• [Horror Bucket List] ‘The Night of the Hunter’ Is A Classic, Eerie Moral Odyssey
• [Motherland: Fort Salem review w/ Gayly Dreadful] “Say The Words” Introduces An Alt-World of Patriotic Witches
• [Kingdom review w/ Gayly Dreadful] The 1st half of S2 Delivers Big Set Pieces, Deaths and Palace Intrigue
• [Review] ‘Bloodshot’ is Ridiculous Fun (and Smarter Than It Looks)
• [The Outsider recap w/ Gayly Dreadful] “Must/Can’t” Doesn’t Get The Job Done
• [Horror Bucket List] ‘The Gate’ Is A (Forgotten?) Gateway Horror Film That Holds Up